Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: August 1, 2024 - Last updated: August 1, 2024

TITLE INFORMATION

Author: Madeline Elisabeth Smith-Ledford

Title: Reclaiming Horror From Eugenicists

Subtitle: A Study On H.P. Lovecraft, Eugenics, And Modern Adaptation

Thesis: Honors Thesis, University of Arizona, Tucson

Advisor: Bradley Schauer

Year: 2019

Pages: 58pp.

Language: English

Keywords: Modern History: 20th Century, 21st Century | American History: U.S. History | Types: Rape; Representations: Films / Castle Freak, Cthulhu, Dagon, The Dunwich Horror, From Beyond, The Haunted Palace, Innsmouth, Re-Animator



FULL TEXT

Link: UA Campus Repository (Free Access)



ADDITIONAL INFORMATION

Abstract: »Howard Phillips Lovecraft’s weird fiction has been highly influential since the time of his death, permeating into popular culture through both imagery and narrative. Lovecraft’s literary work has long been criticized for eugenicist themes, but there has been little scholarship engaging with Lovecraft’s filmic adaptations. This thesis analyzes eight films that represent direct Lovecraftian adaptations, spanning from 1963’s The Haunted Palace to 2015’s Innsmouth. It assesses each film’s adherence to eugenicist tropes as established in Mitch Frye’s formation of the Lovecraftian genotypic horror – a genre of literature that focuses on both the fear of genetic degradation from within and the fear of the genetic Other. Despite drawing source material from various Lovecraft short stories, all eight films elevated eugenicist themes in one way or another and added a distinct narrative element not found in Lovecraft’s original canon. Namely, instead of focusing on the consequences of genetic interbreeding, the films featured the explicit rape and often subsequent impregnation of a white woman. It is through these added elements that the films adhered to the generic expectations of exploitation horror, and later, splatter film. Filmic adaptations fail to break from Lovecraft’s eugenicist narratives, using generic expectations to emphasize explicit sexuality and violence that enhance themes of interbreeding and genetic mutation.« (Source: Thesis)

Contents:
  Abstract (p. 2)
  The History of Critical Analysis of Lovecraft (p. 4)
  Eugenics and Race (p. 5)
  The Trouble with Adaptation (p. 11)
  American International Pictures and Lovecraft (p. 15)
  Stuart Gordon, Brian Yuzna, and Lovecraftian Film (p. 27)
  Lovecraft Film Today: ‘Subverting’ Lovecraft? (p. 41)
  Conclusion (p. 47)
  Bibliography (p. 52)
    Films (p. 57)

Wikipedia: History of the Americas: History of the United States | Film: Films about rape | Film: Films based on works by H. P. Lovecraft / Castle Freak, Cthulhu (2007 film), Dagon (film), From Beyond (film), The Dunwich Horror (film), The Haunted Palace, Innsmouth (film), Re-Animator | Literature: American literature / H. P. Lovecraft | Sex and the law: Rape / History of rape